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Night is creeping up over the land. Already in the heavens the pale crescent moon just born rides silently,— First came the widows. They carried the scalps tied on poles, and their faces were painted black. Then came the medicine men, with their medicine pipes unwrapped, and then the bands of the All Friends dressed in their war costumes; then came the old men; and, last of all, the women and children. They went all through the village, stopping here and there to dance, and Mīka´pi sat outside the lodge and saw all the people dance by him. He forgot his pain and was happy, and although he could not dance, he sung with them. "Have they taught you to hate me already?" he asks, in a low, compressed tone, that make her nerves assert themselves..
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"I hear this dance at the Chetwoodes' is to be rather a large affair," says Geoffrey, indifferently. "I met Gore to-day, and he says the duchess is going, and half the county." So he takes her hand, and together they lean over the brink and survey themselves in Nature's glass. Lightly their faces sway to and fro as the running water rushes across the pool,—sway, but do not part; they are always together, as though in anticipation of that happy time when their lives shall be one. It seems like a good omen; and Mona, in whose breast rests a little of the superstition that lies innate in every Irish heart, turns to her lover and looks at him. "Jack Foster and Terry O'Brien write to me very often," goes on Mona, unconsciously. "And indeed they all do occasionally, at Christmas, you know, and Easter and Midsummer, just to ask me how I am, and to tell me how they have got through their exams. But it is Jack and Terry, for the most part, who send me the music." Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.".
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